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![]() Many quality 3rd-Party libraries as well. Very powerful, capable, reliable software for wide range of genres, eras, effects from respected global artists. but experience with Omnisphere/Omni2, Trilian, StylusRMX is very positive, especially with Omni2 Update. Honestly I do not know what you might think they could be missing in terms of their marketing.ĭifferent strokes. I guess the bonus on that is pretty healthy. I even had a personal email from a store recommending Omnisphere. Not even those individually targetted online billboard reminders. The vast majority of VSTis have no marketing at all. A heavy part of the price of their product has to be to pay for all that advertising (and that launch party) hence I thought you were joking. The video promotion is second to none, NI is probably a close second. I probably first heard of them through YouTube ads, then watched the slick, professionally produced videos with pro artists, then the promotions from stores. Keyscape does make point of 'SSD Recommended' waaay down in System Requirements, so kudos for putting it in B&W !Ĭannot get away from them, I haven't even bought anything from them! Perhaps me being a bit over the top (as past marketing dude) to expect more. Some of best tutoring and detailed explanations of Omni features and capabilities are in those videos. He does excellent videos explaining and promoting each library. John Lehmkuhl (PluginGuru) was at the Keyscape event (pic on his site) and has produced many Omni/Omni2/StylusRMX libraries. Spectrasonics does great job with artists' promo videos but that's just a start. Marketing is very broad/encompassing term. Ironic is second 'middle' name, along with sarcastic, cynical. For someone knowledgeable like yourself, you could surely skim through and pick up key points. John has YouTube videos covering Omni2 version, Kontakt5 version and long Patch walkthrough. Maybe too time consuming, but one of latest products is MegaMagic: Bells/Winds. ![]() Omnisphere 2 has the Granular synth engine which is equally awesome and powerful. There are different synth-engines you can have the samples played thru that will transform the samples radically. The "Glitch" effect in Kontakt 5 is incredibly powerful. However, Kontakt 5 has a really fast and powerful user-interface I designed and can do some things the Omnisphere 2 version can not do. Question: What are the main differences between the Omnisphere 2 version and the Kontakt 5.5 version?Īnswer: The Omnisphere 2 version has 150 bonus patches and is a more powerful synthesizer than Kontakt 5. Larger market implicatons are obvious, but he also mentioned distinct advantages for having either, or both, in some of his most recent YouTube videos. I have most of his offerings and he recently started producing some for both Omnisphere2 and Kontakt5. John Lehmkuhl () has published large number of solid Libraries for NI and Spectrasonics over several years. Tough to sort through huge content comparions, but recently found this of interest. Have very limited UVI, lots of Kontakt5 & most Spectrasonics, incl. As a piano player, I already have a decent virtual grand, a few electrics and organ sounds, and I'd rather spend my limited funds on VIs that improve one's ability to render instruments that don't naturally lend themselves to the percussive dynamics of hammering on a keyboard. But it's several orders of magnitude of overkill for me and I don't need it. I am certain the patches are outstanding and the price is, again, more than reasonable for what you get. Omnisphere 2 is 100% rock-solid in Reaper here, Spectrasonics makes great stuff, and the price for O2 is actually really good if you consider the quality, and add up all the functions and features you get with it and then tried to gather a similar tool set piecemeal.īut I'm not interested in Keyscape. everything under the sun.īut if you don't, then you will not be disappointed. I have so many pianos and keyboards already, from grand concert to electric to vintage organs. That said, I'm not sure whether I'm going to go for this. Zero problems with Omnisphere 2 in Reaper. I have Omnisphere 1/2 (actually 2 incorporates all of 1) and I can assure that the guys at Spectrasonics are SPECTACULAR, their products are top notch. I think he's the best piano player I've ever heard. probably with UVI for Ravenscroft or Cantabile for Ivory II American Concert D.Īnyways, here's a video. I've only done this type of thing once or twice before. I am please asking if anyone would comment on whether they think that it will work good in Reaper? It looks/sounds like it might be really good. There is a company called Spectrasonics that is releasing a new VST called Keyscape. ![]()
![]() Lucky wags her tail and looks to communicate with Hachi, but he remains unmoved. The ambiguity in this scene comes out in the way Hachi and Lucky respond to this meeting. It cuts between Hachi’s perspective in black and white, a technique used throughout the film to situate the viewer in the animal’s mind, and then shows Hachi and Lucky in colour as they react to each other. Hachi’s interaction with Lucky the poodle is an interesting and ambiguous moment. In this moment the film does seem to be saying that there is something a little bit special about Hachi, something that elevates him above the other characters in the film both human and animal- such as a cat in a book shop and a dog called ‘Lucky’, who approaches Hachi at the train station. The first time Hachi is introduced he is lifted out of a pen by a Japanese monk and is held up to the camera as though he is ‘the chosen one’. The producer of the film Vikki Wong makes an interesting comparison between Hachi waiting and a Monk Meditating, suggesting that there is something deep and spiritual going on with this character. He is elevated into a figure of intelligence and respect and is held up as a character, who perhaps understands more what it is to have loved and lost than his human counterparts.įurthermore the way Hachi changes direction in this scene suggests that he is being guided by something other than his nose, a higher power perhaps. He is not presented at any point in the film as a dumb creature that doesn’t know what he is doing, or as a dog that doesn’t even realise his master isn’t coming back. This means that when Hachi later grieves for his friend, his rights to these feelings and emotions are respected and understood. He knows what he wants and what he doesn’t. The reason why this is so effective is that it shows that Hachi has his own mind and right of choice. It is Hachi’s adorable gaze therefore that introduces the human companion to the story, not the other way around. Hachi upon hearing this sits down in front of a pair of feet as they stop and then he looks up to see Parker. ![]() He then passes a number of blurred feet (which represent the choices of companion he has) before finally a man’s voice becomes audible above the din of the crowd. We witness him looking different ways and changing direction once as though he is looking for something specific. From there the camera follows him from a floor level angle as he totters down the platform. He earns his freedom and right of choice in this act. When the little dog’s crate falls off the back of the trolley in the station, the audience sees him break out of his wooden cage. From the opening scenes the importance of what Hachi ‘the animal’ wants is made the focus. It’s a great film about a dog and his man. While biopics tend to be about people, there is something special about the fact it is the animal in this that has been put in the spotlight.ĭespite starring the king of schmooze and schmaltz Richard Gere, Hachi A Dog’s Tale is not just another cheese fest about a man and his dog. The story is also part melodrama and biopic, which means it isn’t just sad because of the heightened emotions melodramas evoke, or because of its over the top use of music, it’s extra sad because it’s based on true events. It does however show the adorable Hachi growing up into adulthood, under the parental guidance of Parker and his wife (Joan Allen) and suggests that it is the animal within the family and community that makes it happier and stronger-elements of which are common in this type of film. The director’s brave exploration of bereavement, somewhat worsened by the fact that it is the animal that grieves and suffers, means that it is not suitable for all families with young children. This heartbreaking story of love and devotion falls into the genre of the family film, although it is not a typical example. When Parker tragically dies at work Hachi is left waiting and there he continues to wait without remedy for his grief, at the same place and time for the next ten years, which unfortunately is the rest of his life. Each day Hachi accompanies Parker to the station to catch his train and then returns later to meet him. Parker and the dog who he names Hachi (meaning number 8 in Japanese) strike up an unforgettable and lasting bond. There he chooses his companion for life, a University professor of music Parker Wilson (Richard Gere) who takes the dog home. ![]() Sent from a monastery in Japan an Akita puppy finds himself alone on a train station platform in America, when his shipping crate falls off the back of a trolley. You do not choose an Akita an Akita must choose you. As the tale goes Akitas are one of the most loyal and loving breeds of dog in the world. ![]() If you see a Google Drive link instead of source url, means that the file witch you will get after approval is just a summary of original book or the file has been already removed. ![]() Maze Runner: The Death Cure scores a 6.2 digit binge rating out of 10 and is a good movie to watch in the Action, Adventure, Sci-Fi and Suspense and Thriller genres.Some of the techniques listed in The Death Cure may require a sound knowledge of Hypnosis, users are advised to either leave those sections or must have a basic understanding of the subject before practicing them.ĭMCA and Copyright: The book is not hosted on our servers, to remove the file please contact the source url. You can watch the movie online on Hotstar, as long as you are a subscriber to the video streaming OTT platform. 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